Urban Voices: The Situationists, Psychogeography and Drift

mars 22, 2012

urbanculturalstudies

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Formed by the coming together of a number of avant-garde European groups in 1957 and dissolved in 1972, the Situationist International “developed an increasingly incisive and coherent critique of modern society and of its bureaucratic pseudo-opposition, and its new methods of agitation were influential in leading up to the May 1968 revolt in France” (Knabb, “Preface” ix). Guy Debord’s work The Society of the Spectacle (1967), which was to become the most recognized written work produced by a member of the SI, explored the city as itself a commodity-form riven through by capitalist ideology in material form. Consisting of 221 numbered entries, ranging from a sentence to a length of several paragraphs and organized under nine chapter-headings, the work seizes upon the Marxist trope of totality to explain the spectacular nature of contemporary urban and social life: “The spectacle is not a collection of images; rather, it is a social…

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